She was hungry.
The girl acted bravely.
The boy was mischievous.
These are the kinds of sentences we’re taught to avoid.
A major tenet of writing—one I’m very qualified to discuss as an elementary education major who ended up teaching math, and who, in high school, skipped The Tortilla Curtain and landed in British Literature instead of AP English—is this:
Show, don’t tell.
What made him evil?
How do we know she was hungry?
What did she do that made her brave?
What chaos did the boy actually cause?
If it matters, don’t label it.
Prove it.